Bryan was one of the artists lined up to work on this year’s 24 Hour Comic Marathon project, set to begin at 3pm on Thursday 13th. So our festival experience started early. This year a single story had been written by Alex Paknadel and Dan Watters and 12 artists had each been assigned two pages to illustrate. The resulting Coelifer Atlas was printed and launched the same weekend, proceeds going to the charity OCD Action. You can find details and availability both from Lakes International Comic Art Festival Books and from Page 45.
On Thursday evening we were present for the welcoming dinner for invited festival guests. It began with an informal reception in Kendal College’s newly reopened Wildman Gallery. The gallery is currently exhibiting Silence/Hiljaisuus, an exhibition of original graphic novel art by Hanneriina Moisseinen from Finland.
The exhibition opened on 12th October and runs until 12th November. It’s well worth a look if you’re in Kendal. There are details of this and the other festival exhibitions here. One I was really sorry to miss while I was in Kendal was the exhibition of Five Bridges: Stories of the Flood, put together by Mike Medaglia, LIsa Woynarkski and Farokh Soltani. It features five different stories of people who endured the severe flooding in Kendal in December 2015, when the River Kent breached its banks, inundating the town and closing its five bridges. The exhibition is in the Kendal Museum and runs until 19th November.
On Friday we had the pleasure of taking Bryan Lee O’Malley and his partner Mary to lunch. It was their first time in the UK and we were keen to introduce them to some of our beautiful countryside. So, with that and a little comics tourism in mind, we drove over to the Mason’s Arms, Strawberry Bank – a location in Bryan’s classic Tale of One Bad Rat.
The first ticketed event was Asterix vs Tintin: Clash of the Toon Titans on Friday evening. Team Tintin and the Asterixers engaged in entertainingly spirited (verging on downright scurrilous) debate, with that Hannah Berry ably presiding over the proceedings. Then the audience voted. And Asterix won. By one vote. One. I demand a recount!
The event was supported by Lancaster University and their new Visiting Professor in Graphic Fiction and Comic Art, Benoit Peeters, was leading the pro-Tintin team. It was great to hear about the university’s commitment to the festival from Professor Simon Guy, the Dean of the Faculty of Arts and Social Sciences at Lancaster University, especially as I’m an alumna of the University myself. (For those who are interested in this sort of thing, I did the first ever PhD on Critical Discourse Analysis, the practical element of which focused on the now defunct girls’ comic/magazine, Jackie.)
The same evening, Dave Gibbons handed over the position of Comics Laureate to his successor, Charlie Adlard. This is the second biennial appointment of a distinguished comics creator in recognition of their outstanding achievement in the medium. The new UK Comics Laureate will take over in February 2017.
I’m delighted and deeply honoured to be appointed as the Comics Laureate. The power of comics to encourage learning and develop literacy shouldn’t be underestimated. Comics can connect with people who may never pick up a normal book and really help encourage a love of reading. I see this as a great opportunity to bring the wonder of comics to a wider audience.
On Saturday evening we were invited by the wonderful Corinne Pearlman of Myriad Editions to join them in the Warehouse Café to celebrate the 2012 and 2014 winners and successes of their First Graphic Novel Competition. Andy Oliver, Broken Frontier editor-in-chief and one of the 2014 judges, enthuses here about the competition and the superb opportunity it offers. With enthusiastic help from past entrants, winners and judges, he expains why the competition is so important to the whole comics community and to the health of publishing itself. At the same event Julie Tait, our awesome festival organiser, announced the winners of the Beatrix Potter Reimagined Competition. The standard was amazing.
There was so much going on at the festival, that I managed to attend a fraction of what I would have liked to see. For instance, I missed Dave McKean’s Black Dog event again, as it clashed with my own slot on Red Virgin on the Sunday. Back in May I missed the Black Dog launch in Kendal, as it coincided with Wonderlands in Sunderland.
We got widespread media coverage, including BBC Arts. Here are reports on this year’s festival from the Lakes International Comic Art Festival, with announcements for 2017, from Page 45 and Comics Work Book. I didn’t take any photos in the Comics Clock Tower this year, but I did browse the tables a couple of times and bought a card or two from one Eleanor Hollindrake. Nice cards, Eleanor!