Here’s a few pics from the launch of Grandville Force Majeure last week. It started at a private do in the Cartoon Museum, London, with kind words from two marvellous people: Dan Franklin (Bryan’s current publisher) and Lee Harris (his first).
The customary pizza afterwards was well attended too…
The following day we had a public event at Orbital Comics, where there is original Grandville artwork on display until 5th December 2017. There’s a great illustrated review of the exhibition by James Bacon at FPI (this link is to an extended version of the review at File 770). The fifth and final Grandville volume has had stunning reviews from Joe Gordon at FPI, Rich Johnson at Bleeding Cool and Stephen Holland at Page 45.
Back in the northeast, launch week continued with signings at Waterstone’s in Sunderland and Forbidden Planet, Newcastle, where there’s another exhibition of Grandville artwork until the end of November.
That’s all, folks!
Everyone’s experience of a festival is different. Ours started two weeks beforehand, as we travelled over to Kendal to install Bryan’s contribution to the Windows Trail at the St John’s Hospice shop. It’s in a prominent position on the main street, between the main venues, and it’s been attracting a good deal of attention. It’ll be there for the rest of this month.
The evening before the Festival opened, we were present at the welcoming dinner in Kendal College’s Box Theatre for our prestigious international guests. Immediately before the dinner there was an informal reception in the adjacent Wildman gallery. This gave us the opportunity to look around Archipelagogo, the multi-media exhibition celebrating the centenary of the late great Tove Jansson, best known as the creator of the Moomins. The exhibition was commissioned by the Festival and runs until 4th November.
On Friday we had the honour of going to lunch with the legendary Sergio Aragonés and Stan, his friend and collaborator. We took them to the Masons Arms, Strawberry Bank, followed by a little sightseeing (in the mist). They’d travelled from the arid chaparral of southern California to the Lake District.
Among the announcements at the opening ceremony was the inaugural winner of the Sergio Aragonés International Award for Excellence in Comic Art: Dave McKean. The award has been established by the National Cartoonists Society of America in partnership with the Festival. Yet another international partnership. I’m a little in awe of the Festival organisers’ energy in reaching out to other festivals and organisations so warmly and productively. (Hint: there’s more to come…) You can read Tripwire Magazine’s coverage of the award event here. Another announcement was the establishment of a Cartoonists Society UK Chapter.
On Saturday morning I was in the Council Chambers again. This year I was there to host Sandra and John Metaphrog’s presentation of their beautiful new book, a graphic novel adaptation of Hans Christian Andersen’s The Little Mermaid.
In the afternoon Bryan was in public conversation with Peter Kessler about Grandville: the Final Chapter. followed by a solid four hours of signing and sketching. It was a pre-launch event specially for the Festival, for which Page 45 had secured some advance copies of Grandville Force Majeure. The official publication is on 15th November, with a launch event and exhibition at Orbital Comics.
You can read here about other new publications launched at the Festival. These included a Spirit Centenary Newspaper, celebrating the life and work of Will Eisner. The newspaper is now available from Page 45 here (with a review too!). There’s an Eisner exhibition in the Sugar Store Gallery in the Brewery Arts Centre, Kendal. It’s open until 5th November.
There was also a Spirit of the Lakes competition, with winners announced on Saturday evening.
Our Sunday treat was listening to Benoit Peeters’ fascinating presentation of Rodolphe Töpffer’s life and work. The talk was chaired by John McShane, who has translated and edited Töpffer’s book, How to Create Graphic Novels (originally published in 1845). It’s available and reviewed here.
There are some other personal experiences of the Festival in online write-ups already, by guests Metaphrog and Tom Richmond. In the Page 45 weekly reviews, Stephen Holland has included a detailed (and positively orgasmic!) account of the Festival. Finally, here’s some online coverage from the BBC.
Georgian Room photos by Stephen Holland.
As this year’s Lakes International Comic Art Festival approaches, the focus at Talbot Towers is on all things Grandville. The main event for us will be a special festival pre-publication launch of Grandville Force Majeure, with Bryan’s ‘Grandville the Last Chapter’ event with Peter Kessler. It’s on Saturday 14th at 1.15pm, in the Malt Room, Brewery Arts Centre. Cosplayers are cordially invited to turn up as a Grandville character, with a chance to win some original artwork. This event will be followed by a signing in the Comics Clock Tower’s Georgian Room. Page 45 will have advance copies of the book, which is not on general release until the following month.
As part of the Windows Trail in Kendal, Bryan has put together a fabulous Grandville display that will grace the windows of the St John’s Hospice shop. The shop’s situated between the Brewery Arts Centre and the Clock Tower, so the display will be hard to miss.
On Saturday 14th at 10.30am, I’ll be in the Clock Tower’s Council Chambers with the marvellous Metaphrog (a.k.a. Sandra Marrs and John Chalmers), talking about The Little Mermaid and more…
Grandville Force Majeure goes on general release on November 14th in conjunction with an exhibition at Orbital Comics, London. Meanwhile, here’s a trailer to watch!
I’m delighted to announce that we have funding from the Arts Council for another project together. In a complete departure from our previous ones, this new collaboration is neither biographical nor historically distant. It deals instead with the here and now of environmental degradation that threatens us all.
The recent flooding disasters loom in the North of England as a loving relationship unfolds between two young women. The story follows the everyday experiences of ordinary people, while engaging with pollution, climate change, moorland mismanagement and the disruption, misery and loss that these things bring. Along the way it also reflects on lifestyle choices – including what’s in the food we eat, how it’s grown, how it’s packaged – and the impact of these kinds of choice on the world around us. The characters are fictitious; what’s happening around them is, sadly, all too real.
So the next book, Rain, engages with environmental issues and their impact. At over 150 pages, it will published by Jonathan Cape, probably in late 2019.
We’ve recently returned from a unique French book fair that takes place on the 1st of May every year in Pas de Calais’ capital, Arras. It’s the second time we’ve been invited, this time on the strength of the French edition of The Red Virgin and the Vision of Utopia; Louise Michel La Vierge Rouge. We were signing copies for several hours in one of the publishers’ marquees in the Grand’Place, one of the two large cobbled squares in the city centre. The other, the Place des Héros, is overlooked by their fine city hall, its distinctive belfry housing a carillon that rings out prettily every half an hour.
Another BD guest who was kept busy in there was Julie Minoh. She’s the creator of the award-winning Le bleu est une couleur chaude (the English title is Blue is the warmest colour, presumably after the film, though it first appeared as Blue Angel).
A couple of days previously, we’d been signing at the Librairie les lisières, an independent bookshop in nearby Roubaix. We we were also interviewed there about Louise Michel La Vierge Rouge. Afterwards we were taken to see a column close by with a likeness of Louise Michel on it. She’s represented mourning the passing of Louise Auguste Blanqui, the French socialist, revolutionary theorist and activist, who was a major influence on her. Below is an illustration from a 1881 newspaper, possibly American, purporting to show her delivering an oration at his funeral. She may well have done so. The only other mention of it that I’ve been able to find is a similar illustration from Le Monde Illustré, located in the Musée de l’histoire vivante in Montreuil, Paris (thanks to my cousin Martin Crookston for directing me to it).
A fortnight ago we were in Barcelona for the 35th International Comics Fair. This annual event seems to get bigger each year, expanding into more and more of the massive Fira complex by the Plaza de España. Here’s a write-up (if you can’t read the Spanish, you can always look at some of the photos). One of our fellow creators at the fair was Matt Kindt (Mind MGMT, 3 Story), pictured below on the right:
Here’s Bryan with Laureano of Asterberri, after a Grandville signing:
And here we are, busy signing at La Cúpola’s booth:
There’s a paperback edition just out of La niña de sus ojos, the Spanish version of Dotter of her Father’s Eyes. As you can see, it has a beautiful new cover using a different selection of interior artwork from the initial hardback.
Another guest creator present whom Bryan was delighted to meet was Juan Dîaz Canales (Blacksad).
And it was a great pleasure to catch up with José Muñoz (Alack Sinner). I first got to know José in 2013, when he was a guest at the inaugural Lakes International Comic Art Festival in Kendal. Bryan’s known him for much longer.
The cavernous exhibition hall housed exhibitions of Will Eisner’s work and of Lucky Luke, along with the work of Milton Caniff and numerous others. Photos taken before the crowds poured in:
Kim Jung Gi was in there attracting the crowds with live drawing twice daily.
We had a little time free for some sightseeing, taking in the Museu Nacional d’Art de Catalunya, the grandiose museum of art close to the Fira. We also went to look at Gaudi’s Sagrada Familia, now under construction again.
And we were very glad we weren’t with this tour:
Laureano laid on a big dinner at the Bodega Monumental. We spent our last evening in Barcelona in the delightful company of Sharlene Kindt, Matt, Laureano and, to Bryan’s right, David Rubin (Ether). Behind David are two other Spanish artists whose names I don’t know. Cheers, Laureano!
Finally, here’s a parting gift that Bryan’s sketched for the ever-obliging staff in the hotel restaurant. The lobster sketch was inspired by a Grandville page that you can check out on his website here.
On Monday (3rd April 2017) Bryan and I had the pleasure of participating in this academic conference at the University of London’s Institute of Modern Languages Research. The conference as a whole explored articulations of resistance and revolution in a range of French contexts. We shared a plenary session in the afternoon with Paul Mason, which addressed the life of women in the aftermath of the Paris Commune of 1871and their deportation to New Caledonia. Through the specific case study of Louise Michel, the plenary explored how such revolutionary moments emancipate and politicise women even though the endgame is one of failure.
Paul outlined his new play, Divine Chaos of Starry Things, about Louise Michel’s time in the French penal colony in New Caledonia, finishing with a sample read-though with two of the principal actors. The play opens on 30th April at White Bear Theatre in London and runs until 9th May. We followed, in conversation with Charles Forsdick about The Red Virgin and the Vision of Utopia. Both talks are available as podcasts at the Backdoor Broadcasting Company here.
We shared a broadcast with Paul last year, on BBC Radio 3’s Free Thinking, which is still available to listen here.
Bryan will be doing his lavishly illustrated talk on Grandville and the Anthropomorphic Tradition again, this time in Newcastle’s Discovery Museum. It’s on Saturday 11th March at 2pm and it’s is well worth attending, if you haven’t already (or even if you have!) The event is part of the Fabricating History exhibition programme, about all things steampunk. Tickets for the talk are just £2 – available here.
Later in the month I’ll be in Sunderland’s Museum & Winter Gardens doing a presentation on Revolutionary Women: Imagining Louise Michel, along with Dr Laura O’Brien, a historian at Northumbria University. It’s on Friday 24th March at 5pm. The event is jointly hosted by Sunderland University, City Library Sunderland and Waterstones Sunderland. It’s free, but ticketed via eventbrite.
Then, in early April, Bryan and I are both in the line-up for a conference on Francospheres of Resistance and Revolution at the Institute of Modern Languages Research, University of London. We will be ‘in conversation’ with Prof Charles Forsdick (Liverpool) about The Red Virgin and the Vision of Utopia. ‘Exploring articulations of resistance and revolution across different spaces and times’, the conference as a whole ‘seeks papers which enquire in new and innovative ways about radical politics, activism and resistance expressed in French’.
Finally, at the end of the month, we’re off to Northeast France for Colères du Présent, a book festival in Arras, promoting the French edition of Red Virgin: Louise Michel La Vierge Rouge. Details to follow.
In and around London on the evening of Friday 3rd February? There’s a free panel event on Amnesty’s anthology Here I Stand: Stories that Speak for Freedom at the London Piccadilly branch of Waterstones. (Bryan, myself and Kate Charlesworth contributed a piece called ‘Deeds not Words!’) We’re unable be there but Nicky Parker from Amnesty will chair, and contributors Sita Brahmachari, Frances Hardinge and AL Kennedy will form the panel. It should be a lively and thought-provoking debate, so please do tell anyone you think might like to go. It will be aimed at teens/Young Adults but will of course still be of interest to adults. There is no charge, but you will need to reserve your place. Details here.
The book gained a lot of attention on publication and the hardback has now been reprinted. Amnesty will be publishing a paperback edition in May. All royalties from the sale of Here I Stand go to Amnesty International, which works to protect human rights all over the world.